- The Stone Roses is one of those names that is always floating just outside my area of awareness. A headline spot though, so, good on those guys, whoever they are.
- Grrfggh Red Hot Chili Peppers. I don't even dislike them, I think they're one of the more likable parts of KROQ canon, but giving them another headlining spot when AMAZING RACE wins Best Reality Show at the Emmys. Probably warranted, but hardly worth celebrating anymore.
- As Coachella's popularity has skyrocketed as a thing that everyone in Southern California goes to, I can't help but feel like headlining RHCP again is throwing a bone to the party-goers that don't even like 90% of the performers at the fest. A big, unimaginative, arena rock bone.
- Font size is, as always, confusing! Observe: Portugal, The Man is bigger than Pusha T, Kurt Vile and 2 Chainz. For all his buzz, Alt-J should at least be a size up. Surely Grimes
- Then again, who cares about font size? Has it ever reflected actual billing or set times? Does it matter or make any difference other than a flier?
- I'm imagining a one-two knock out punch of The XX followed by Sigur Ros. By knock out, I mean put to sleep knock out.
- Although the strategy seems to spread acts of one particular taste across all three days, I always find that one day in particular pulls at my sensibilities far more than the others. In this case: Saturday.
- Yet, even though Saturday is some kind of Indie Rock Parthenon, I can't help but feel a little indifferent to it. There are definitely a lot of great bands, but nothing that feels like a only-here-only-now event (save for The Postal Service.) I would like to see many of these bands, but I don't need to see them, certainly not all at once for three bills.
- Let me put it this way: 90% of Saturday looks like a reasonable expectation for a 2nd tier festival like Sasquatch or Outside Lands.
- Perhaps we've just been spoiled by the big bombs of Coachella's past. They've conditioned us to expect special appearance bookings, even in their second or third billings.
- Imagine if they did group these things by genre. I know why they don't, but can you imagine if you could see Trash Talk, Cloud Nothings & Japandroids in one day? Earl Sweatshirt, Danny Brown, El-P & Wu-Tang consecutively? Stars & The Postal Service?
- I don't know who or what Sam XL Pure Filth Sound is, but damn, that name has got to look good on a t-shirt.
- I feel like I've only been saying bad things. It's a perfectly acceptable festival, probably even a great one. But Coachella set its own bar so high in years past, it's hard to ignore.
- Jurassic 5 is boring.
- I liked Coachella before it was cool.
- I roll with FYF Fest now.
- Whatever, I'm already booked for 3 concerts in April anyway.
Ever since I learned of its existence, the goal was to attend the Coachella Valley Music and Arts Festival.
For a long time, I didn't even attend concerts. While I have always loved music, it didn't occur to me that I could see all this lovely music live, and in person, instead of imagining music videos in my head as I walked home. Then once in 2005, I decided to see Bright Eyes and The Faint at the Grand Olympic Auditorium. The seats were awkward, distant, and obstructed by the underside of the mezzanine above, but I've been all about concert hunting ever since.
I've come to believe that any music is made better live, even the ones that don't line up with my taste. It's something to do with the power of loud, the bass resonating with your ribs, and the groupthink adoration of the fans around you. Concerts are brief windows into an upper reality. The best ones have that moving moment where you forget you're in an audience and for a tiny moment a song is an experience.